Brand: Montezuma's No. 5 Mint Drinking Chocolate
Score: 7.5 / 10
Where to get it: Montezuma website or stores
This is long overdue, but I've been meaning to write up some reviews of hot chocolate brands. I live in a household that values hot chocolate above all (by 'all', I mean coffee and tea), and we have quite a collection.
I am going to try and review every hot chocolate brand that we have previously enjoyed (or will enjoy if we come across a new brand), and perhaps also share with you some of hot chocolate cafe recommendations.
There is no real reason why I'm starting off with Montezuma.
So first off: Montezuma No. 5 Mint Chocolate.
Dark chocolate - yum! And with peppermint too. This mix blends in well and is very smooth, with a good aftertaste. It comes in chocolate flakes, and you basically have to heat your milk hot enough to get the flakes to melt. We recommend microwaving a cup of milk for 2 minutes, then stir the flakes in.
Usually, hot chocolate that comes as flakes means that they can be charged at a more expensive rate, but at £6.29 for 300g, it's quite reasonable. Packaging is quite slick too: you get a bag of the mix with a resealable top. Convenient! Verdict: 7.5/10
Sunday, 2 December 2012
Sunday, 25 November 2012
Ross Noble: Mindblender
What: Ross Noble's Mindblender Tour
Locations: Touring around UK and rest of world
Ross Noble performing live is quite something. Unlike other comedians like Eddie Izzard or Bill Bailey who have a pretty strict script/sketch to follow, Ross' show seems a lot more improvisatory than anything else. He spends a lot of time interacting with the audience, mocking the ones he can hear and see, and inviting hecklers to join in and contribute to the performance.
This adds a lot of excitment as you never know what you'll get, but it's quite a risky thing too, as Ross also likes going on tangents and just say whatever he can think of. And he thinks of pretty random things. From stories about his 'human child' to milking cows. From mocking a phelgmatic man to doing a song and dance about demons and The Exorcist. And from responding to the heckler to Schrödinger's cat.
They're all great, but right near the beginning, he started poking fun at a man with a crutch, which ... led to jokes about the Paralympics, and when he tried to apologise if he offended anyone in any way, a lady at the back of the theatre shouted really loudly that it was really extremely offensive to make fun of disabled people. It got the room quite tense for a long time after that. I knew that he would get in trouble right when he went off on a tangent about the games, even if he was doing it in good humour.
My friend didn't enjoy it after that, which was a shame, but I thought there were still a lot of brilliant moments. Some of his jokes were clearly planned in advance, like on the au courant topics of Fifty Shades and Jimmy Savile (the Savile sketch he did had a fantastic impersonation of Eddie Izzard. It was possible my favourite part of the show). He did a really interesting time-space continuum trick as well as his finale (which I won`t reveal here, but suffice to say, it had something to do with the mind of a jelly). Also his impersonation of the whispering Batman and the muffled Baine was absolutely spot on.
Although he`s not always so PC, I still love his humour: it's really quirky and unusual, and so for that, I'd recommend this tour.
PS: I just read this review, and it turns out I was wrong. Schrödinger's cat is a pre-planned joke!
Locations: Touring around UK and rest of world
Ross Noble performing live is quite something. Unlike other comedians like Eddie Izzard or Bill Bailey who have a pretty strict script/sketch to follow, Ross' show seems a lot more improvisatory than anything else. He spends a lot of time interacting with the audience, mocking the ones he can hear and see, and inviting hecklers to join in and contribute to the performance. This adds a lot of excitment as you never know what you'll get, but it's quite a risky thing too, as Ross also likes going on tangents and just say whatever he can think of. And he thinks of pretty random things. From stories about his 'human child' to milking cows. From mocking a phelgmatic man to doing a song and dance about demons and The Exorcist. And from responding to the heckler to Schrödinger's cat.
They're all great, but right near the beginning, he started poking fun at a man with a crutch, which ... led to jokes about the Paralympics, and when he tried to apologise if he offended anyone in any way, a lady at the back of the theatre shouted really loudly that it was really extremely offensive to make fun of disabled people. It got the room quite tense for a long time after that. I knew that he would get in trouble right when he went off on a tangent about the games, even if he was doing it in good humour.
My friend didn't enjoy it after that, which was a shame, but I thought there were still a lot of brilliant moments. Some of his jokes were clearly planned in advance, like on the au courant topics of Fifty Shades and Jimmy Savile (the Savile sketch he did had a fantastic impersonation of Eddie Izzard. It was possible my favourite part of the show). He did a really interesting time-space continuum trick as well as his finale (which I won`t reveal here, but suffice to say, it had something to do with the mind of a jelly). Also his impersonation of the whispering Batman and the muffled Baine was absolutely spot on.
Although he`s not always so PC, I still love his humour: it's really quirky and unusual, and so for that, I'd recommend this tour.
PS: I just read this review, and it turns out I was wrong. Schrödinger's cat is a pre-planned joke!
Monday, 5 November 2012
Anna Karenina, Part 2 of 2
Title: Anna Karenina, Part 2 of 2
Author: Leo Tolstoy
Author: Leo Tolstoy
Back to Book #13, Anna Karenina. It's actually a bit unfair that I wrote Part 1 of my comments when I've read over 75% of the book, but actually the last 120 pages are quite interesting and different.
Spoilers alert. Please don't read on if you don't want to know the ending.
Near the end, Anna Karenina takes on a strange persona - more and more characters find her incredibly beautiful and bewitching, and she feels very different in personality. I find myself hating her more and more and yet strangely attracted to her as well. What a monster! Actually, by the very last few pages of her point of view, I just really couldn't stand her anymore. She's unwanted by society, she loses a lot of things (status, family, respect, etc) and rightly, she should feel upset. For the better part of the novel, she manages to hang on to her dignity. At the very end though, she turns incredibly delusional, becomes highly jealous of her partner's every action and distorts reality to the point where I can't even sympathize with her plight anymore.
Needless to say, Anna does not have a happy ending. What is strange is that even at the end of her life, when you think she has finally chosen her fate, she is robbed of that self-agency ... she wavers between wanting to end her life and not wanting to, and right when she's supposed to make a decision ... well ... the decision was made for her. Tolstoy is so cruel!
Spoilers alert. Please don't read on if you don't want to know the ending.
Near the end, Anna Karenina takes on a strange persona - more and more characters find her incredibly beautiful and bewitching, and she feels very different in personality. I find myself hating her more and more and yet strangely attracted to her as well. What a monster! Actually, by the very last few pages of her point of view, I just really couldn't stand her anymore. She's unwanted by society, she loses a lot of things (status, family, respect, etc) and rightly, she should feel upset. For the better part of the novel, she manages to hang on to her dignity. At the very end though, she turns incredibly delusional, becomes highly jealous of her partner's every action and distorts reality to the point where I can't even sympathize with her plight anymore.
Needless to say, Anna does not have a happy ending. What is strange is that even at the end of her life, when you think she has finally chosen her fate, she is robbed of that self-agency ... she wavers between wanting to end her life and not wanting to, and right when she's supposed to make a decision ... well ... the decision was made for her. Tolstoy is so cruel!
My interpretation of the book has been highly shaped by the book's preface ... there I learned that in the midst of writing this novel (over the span of a few years), Tolstoy's world view changed from atheistic (or agnostic?) to one controlled by religious angst. As you can imagine, Tolstoy started off writing the novel with plenty of sympathy for his heroine, a woman who decides to put love above family and religion, but by the end, he can't understand her perspective anymore, and have to make up ridiculous, irrational thoughts for Anna to justify her actions. It makes me a bit annoyed.
So, is Anna Karenina still a great novel? Yes, for the majority of the book, I really enjoyed following every single character's thoughts and actions. Tolstoy is a great master ... my only impossible wish is: what if he finished writing the novel in one year, instead of four? What if! Would Anna be living happily ever after?
I still recommend this book to everyone who can put aside a huge chunk of time for reading ... it only took me two months to finish.
So, is Anna Karenina still a great novel? Yes, for the majority of the book, I really enjoyed following every single character's thoughts and actions. Tolstoy is a great master ... my only impossible wish is: what if he finished writing the novel in one year, instead of four? What if! Would Anna be living happily ever after?
I still recommend this book to everyone who can put aside a huge chunk of time for reading ... it only took me two months to finish.
Tuesday, 23 October 2012
Anna Karenina, Part 1 of 2
Title: Anna Karenina, Part 1 of 2
Author: Leo Tolstoy
Author: Leo Tolstoy
For lucky Book #13, I'm going to talk about Anna Karenina. I'm more
than halfway through Tolstoy's epic, but since this book really is
massive, it's probably prudent to write about it in two separate
entries.
What
can I say about Anna K? Well, the first is that I have been meaning to
read this book for ages. It's been on my list since school, but
obviously, other (shorter) books got in the way of our relationship.
With all the film advertisements going on this year about Anna K though,
plus the fact that I now own an e-reader and no longer have the excuse
that it's 'too heavy' to travel around with Anna K, I finally decided
take the plunge.
Yes!
This is cheesy,
but the more you read this book, the more it grow on you. It's
definitely not an instant gratification: you need to invest a lot of
time and energy to sit still and read it. But once you get started, the
more you read about each character, the more you empathize with their
point of view. And even though you discover that each character is very
flawed, each in their own unique way, they are all perspectives that you
can understand and get to know deeply.
You say that everything is very simple and interesting
it makes me feel very wistful, like reading a great
Russian novel does
from Yesterday Down at the Canal, Frank O'Hara, 1961
I
think I read it at a right time in my life, when I have more of an
understanding about the human psyche. It is so fascinating to read these
Tolstoy characters constantly changing their minds, constantly loving
and hating their lovers
and families, constantly behaving in contradictory ways and
misunderstanding each other ... and it's just all so real. What
I like about it is that even though it was written in the 1870s, the
worries, the fears, and the joys are still very much the same 150 years
later. A few other notes for now:
- Wikipedia just informed me that Anna Karenina started as a newspaper serial. That's why it's so long ... just like Dickens!
- the Russian names are not too hard to follow. I remember Crime & Punishment being a lot more confusing, and even though you meet a lot of characters in Anna K, it's still quite easy to recognize each person. Perhaps this is due to the good translation.
- this book is like Joyce's Ulysses, in that it's an encyclopedia, covering all sorts of topics from farming techniques to current philosophies to pedagogy to history ... fascinating!
- I actually enjoy the other storyline more than Anna Karenina's storyline. Yes, everyone knows the ending to Anna K, but no one ever talks about Levin, who is the other main character. I love his point of view! He's so quaint, so cute and awkward, so unsociable, so idealistic yet practical ...
- other people have commented on the 'floating' omniscient narration ... it's really funny reading the point of view of random people, and not only that, of dogs and children's perspectives. Very humourous.
Part 2 will follow once I finish the book.
Thursday, 11 October 2012
Cirque du Soleil: Amaluna
What: Cirque du Soleil, Amaluna
Locations: touring Canada, USA ... and probably worldwide soon
I'm not a newbie to the world of Cirque du Soleil, so I went to see the Amaluna show without too high an expectation, but boy was it good. As usual, Canada's best known circus group Cirque du Soleil performs with just the barest of storylines to hold all the different acrobatic acts together.
Amaluna is loosely based on Shakespeare's The Tempest, but with the added twist of focusing on women. For the first time ever, there are more women cast members than men (in fact, 70% of the cast are females). I took my family to see it and they much preferred the show without referring to the plot.
But despite the lack of a good narrative, the show is outstanding. I love circuses of all types, and my whole family does too (some of us have been to circus school training for a very short time!) ... and the thing that strikes us the most is watching the mind-blowing feats that human bodies can do so smoothly, sinuously and most of all, so effortlessly! There are trampoline acts, highwire balancing acts, pole acts, aerial silks, unicycles, juggling, balancing etc, and all the performers make each movement look so easy to do, even though they're very hard.
In a lot of circus shows, performers try to do the most 'impressive' acts to audience members that are none the wiser, and most of the time they would stick to technically easy yet visually impressive moves. However, with Cirque du Soleil, they don't just try to wow you with one visual stunt after visual stunt: they actually execute incredibly difficult techniques perfectly! My juggler/unicycling friend was very pleased to see the main juggler in this show perform with five, even six balls, and doing really fantastic stunts. On top of that, the twin unicyclists are incredible, they could spin on the spot and next to each other in intricate swirls, all done in very, very fast movements. Very impressive!
My personal favourites are the lead male and female characters' own specialties: the female does body-twisting dives and bends inside a fish-bowl like tank, and the male climbs up and down a pole like it's a walk in the park.
Amaluna is a travelling show, so they set up temporary circus tents like they would back in the 1800s. Very old school, very intimate, so even with the cheapest seats (where we sat), you would get pretty good views.
My only negative point would be the music. I found it too loud and overwhelming, full of blasting rock sequences and I much prefer if the music is softer, more delicate (i.e. rather the violin than the electric guitar). But then again, the bursts of visual and audio splendour are the signature styles for this very conspicuous circus troupe.
If you've never seen Cirque du Soleil, you should start with this one, and if you're a seasoned attendee, you should still give this a try.
PS: we also recently saw circus show Cantina's performance in London, UK. It has a very different aesthetic from Cirque du Soleil: more old-style french, bohemian/burlesque. The show's already over, so I won't write a review now.
Locations: touring Canada, USA ... and probably worldwide soon
I'm not a newbie to the world of Cirque du Soleil, so I went to see the Amaluna show without too high an expectation, but boy was it good. As usual, Canada's best known circus group Cirque du Soleil performs with just the barest of storylines to hold all the different acrobatic acts together.
Amaluna is loosely based on Shakespeare's The Tempest, but with the added twist of focusing on women. For the first time ever, there are more women cast members than men (in fact, 70% of the cast are females). I took my family to see it and they much preferred the show without referring to the plot.
But despite the lack of a good narrative, the show is outstanding. I love circuses of all types, and my whole family does too (some of us have been to circus school training for a very short time!) ... and the thing that strikes us the most is watching the mind-blowing feats that human bodies can do so smoothly, sinuously and most of all, so effortlessly! There are trampoline acts, highwire balancing acts, pole acts, aerial silks, unicycles, juggling, balancing etc, and all the performers make each movement look so easy to do, even though they're very hard.
In a lot of circus shows, performers try to do the most 'impressive' acts to audience members that are none the wiser, and most of the time they would stick to technically easy yet visually impressive moves. However, with Cirque du Soleil, they don't just try to wow you with one visual stunt after visual stunt: they actually execute incredibly difficult techniques perfectly! My juggler/unicycling friend was very pleased to see the main juggler in this show perform with five, even six balls, and doing really fantastic stunts. On top of that, the twin unicyclists are incredible, they could spin on the spot and next to each other in intricate swirls, all done in very, very fast movements. Very impressive!
My personal favourites are the lead male and female characters' own specialties: the female does body-twisting dives and bends inside a fish-bowl like tank, and the male climbs up and down a pole like it's a walk in the park.
Amaluna is a travelling show, so they set up temporary circus tents like they would back in the 1800s. Very old school, very intimate, so even with the cheapest seats (where we sat), you would get pretty good views.
My only negative point would be the music. I found it too loud and overwhelming, full of blasting rock sequences and I much prefer if the music is softer, more delicate (i.e. rather the violin than the electric guitar). But then again, the bursts of visual and audio splendour are the signature styles for this very conspicuous circus troupe.
If you've never seen Cirque du Soleil, you should start with this one, and if you're a seasoned attendee, you should still give this a try.
PS: we also recently saw circus show Cantina's performance in London, UK. It has a very different aesthetic from Cirque du Soleil: more old-style french, bohemian/burlesque. The show's already over, so I won't write a review now.
Friday, 7 September 2012
Oxford's Cooking
Where to get the best salad: Oxford's Cooking
Location: Oxford, OX2 6HA
This place is absolutely delicious. The first time I went, a friend took me there for lunch, and back then it was called Woodstock Rd Deli. I was really impressed with the freshness of the food. The only thing that was disappointing was the price: you pay by weight, so if you ordered a particularly heavy salad, there goes your pocket money. So the second time I went, I picked the lightest of salads to beat the system.
Anyhow, since then, they have changed hands (I think), and renamed themselves as Oxford's Cooking. Still the same layout, a cozy little kitchen setting with lots of little treats and kitchen gifts you can buy, but also a long counter full of flavourful vegetarian salads. They also serve hot foods with meat and other options, but so far, there has been no point trying those because their salads are stunning.
If I can make these types of salads at home, I'd definitely turn vegetarian! They now charge by the number of salad types you order, for example £3.50 for 3 types of salads in a takeaway box, so that's way more reasonable than in the past. It's a hefty little box: you get various salads to choose from. Lentils and broccoli to mozzarella balls (they're huge!) and roasted tomatoes, butternut squash crisps and many other fresh options, like couscous, quinoa, etc.
When you finish choosing, you are also given the option of some roasted sunflower seeds, which is free and makes a perfection addition to the little box of goodness.
It turns out they're the sister branch to Alpha Bar, which is located in the Oxford Covered Market. I'll have to try that place out, although it seems quite similar.
PS: According to another review, they are also very good with gluten-free or lactose-free choices.
PPS: Since I wrote this up, I've heard they are renovating yet again. They're re-opening on 14 Sep. I'll have to check out their new look soon.
Location: Oxford, OX2 6HA
This place is absolutely delicious. The first time I went, a friend took me there for lunch, and back then it was called Woodstock Rd Deli. I was really impressed with the freshness of the food. The only thing that was disappointing was the price: you pay by weight, so if you ordered a particularly heavy salad, there goes your pocket money. So the second time I went, I picked the lightest of salads to beat the system. Anyhow, since then, they have changed hands (I think), and renamed themselves as Oxford's Cooking. Still the same layout, a cozy little kitchen setting with lots of little treats and kitchen gifts you can buy, but also a long counter full of flavourful vegetarian salads. They also serve hot foods with meat and other options, but so far, there has been no point trying those because their salads are stunning.
If I can make these types of salads at home, I'd definitely turn vegetarian! They now charge by the number of salad types you order, for example £3.50 for 3 types of salads in a takeaway box, so that's way more reasonable than in the past. It's a hefty little box: you get various salads to choose from. Lentils and broccoli to mozzarella balls (they're huge!) and roasted tomatoes, butternut squash crisps and many other fresh options, like couscous, quinoa, etc.
When you finish choosing, you are also given the option of some roasted sunflower seeds, which is free and makes a perfection addition to the little box of goodness.
It turns out they're the sister branch to Alpha Bar, which is located in the Oxford Covered Market. I'll have to try that place out, although it seems quite similar.
PS: According to another review, they are also very good with gluten-free or lactose-free choices.
PPS: Since I wrote this up, I've heard they are renovating yet again. They're re-opening on 14 Sep. I'll have to check out their new look soon.
Wednesday, 29 August 2012
Matilda the Musical
Event: Matilda the Musical
Location: Cambridge Theatre, London
By popular demand, I've decided to write another post related to Roald Dahl. In the last three years since Ways to Read began, the most popular post has been (and still is, surprisingly) the one about Roald Dahl and Quentin Blake.
So anyway: the musical adaptation of Roald Dahl's novel Matilda is very funny. Even my friend, who doesn't enjoy musicals usually, really liked this one. Cambridge Theatre is not a bad venue, though some of the higher (aka cheap) seats are quite steep and not for the faint of heart.
The story is about a smart little girl who's not appreciated by her family. She attends a school that has a lovely teacher but a horrid and evil headmistress. The music is great and the lyrics are sharp and humourous, all thanks to Tim Minchin. I don't always like his style of quirky/black comedy but in Matilda, there's a good combination of dark humour and a childlike sense of hope. This is important since this musical is primarily aimed at children.
We went to a Sunday matinee, and about 80% of the audience are children. That can get slightly annoying when they start whining, kicking the seat in front, or singing along off tune ... but it adds an extra layer of irony because the musical starts off with spoiled schoolchildren on stage singing about how great (and spoiled) they are ... and the children in the audience sing along. Ha.
The songs are quite catchy. I'd say the style is rather like the Wicked musical - very jarring at times but it works in this context. My favourite numbers are 'Miracle', 'When I Grow Up' (see top clip), and 'School Song' (above), which cleverly incorporates the ABCs into the song. The stage setup is also very creative and I particularly liked the scene changes and use of space.
Is it well-adapted? Yes! The storyline changes slightly to accommodate the parallel backstory of another character other than Matilda, but in order to keep the suspence, Tim Minchin creatively made Matilda imagine a fairytale that eventually turned out to be true. I can't say anymore because I don't want to spoil the story in case you haven't read the book (or seen the film).
The tickets are constantly sold out well in advance, so I'd advise booking at least two months ahead.
Location: Cambridge Theatre, London
By popular demand, I've decided to write another post related to Roald Dahl. In the last three years since Ways to Read began, the most popular post has been (and still is, surprisingly) the one about Roald Dahl and Quentin Blake.
So anyway: the musical adaptation of Roald Dahl's novel Matilda is very funny. Even my friend, who doesn't enjoy musicals usually, really liked this one. Cambridge Theatre is not a bad venue, though some of the higher (aka cheap) seats are quite steep and not for the faint of heart.
We went to a Sunday matinee, and about 80% of the audience are children. That can get slightly annoying when they start whining, kicking the seat in front, or singing along off tune ... but it adds an extra layer of irony because the musical starts off with spoiled schoolchildren on stage singing about how great (and spoiled) they are ... and the children in the audience sing along. Ha.
The songs are quite catchy. I'd say the style is rather like the Wicked musical - very jarring at times but it works in this context. My favourite numbers are 'Miracle', 'When I Grow Up' (see top clip), and 'School Song' (above), which cleverly incorporates the ABCs into the song. The stage setup is also very creative and I particularly liked the scene changes and use of space.
Is it well-adapted? Yes! The storyline changes slightly to accommodate the parallel backstory of another character other than Matilda, but in order to keep the suspence, Tim Minchin creatively made Matilda imagine a fairytale that eventually turned out to be true. I can't say anymore because I don't want to spoil the story in case you haven't read the book (or seen the film).
The tickets are constantly sold out well in advance, so I'd advise booking at least two months ahead.
Wednesday, 15 August 2012
Yoko Ono - To the Light
Event: Yoko Ono - To the Light
Location: Serpentine Gallery, Hyde Park
Yoko Ono is an interesting figure: people either love her or hate her. I think that if you only consider her in light of John Lennon, then of course you might not see her favourably, but as an individual performance artist and as someone that influences others artistically, she is quite phenomenal.
I saw a huge Yoko Ono retrospective about a decade ago at the AGO, and really fell in love with her quirky, minimalist style. A lot of her artworks are so pared down that you don't really see anything. All you see is a piece of paper with words written on it, but what the words get the viewer to do is infinite.
According to legend, Lennon saw Ono's Ceiling Painting (right), climbed up the ladder to see the painting that said 'YES!' and fell in love with her. I find that idea very beautiful.
Anyway, Ono makes the viewer work for their pleasure. For example, she uses a lot of words to accompany her art: in The Pointedness (below), there's a glass ball on display and the words 'This sphere will be a sharp point when it gets to the far corners of the room in your mind.'
Is this bullshit? Or is something really interesting going on? It's for you to decide, but for me, I really like the fact that she uses the viewer's power of imagination to complete the artwork, even if, in real life, you can't really make the statement come true. A sphere will never have a point simply by definition of being a sphere.
The exhibition is free, and Serpentine Gallery is a lovely gallery. Now that Olympic is over, it'll be easier to find the exhibition (the crowd control routes during the Games made the walk really frustrating).
PS: next door is the annual temporary Serpentine Pavilion, and this year, the designer/architect is Ai Weiwei. Quite an interesting structure, but I think I preferred previous versions more.
Location: Serpentine Gallery, Hyde Park
Yoko Ono is an interesting figure: people either love her or hate her. I think that if you only consider her in light of John Lennon, then of course you might not see her favourably, but as an individual performance artist and as someone that influences others artistically, she is quite phenomenal.
I saw a huge Yoko Ono retrospective about a decade ago at the AGO, and really fell in love with her quirky, minimalist style. A lot of her artworks are so pared down that you don't really see anything. All you see is a piece of paper with words written on it, but what the words get the viewer to do is infinite.
According to legend, Lennon saw Ono's Ceiling Painting (right), climbed up the ladder to see the painting that said 'YES!' and fell in love with her. I find that idea very beautiful.
Anyway, Ono makes the viewer work for their pleasure. For example, she uses a lot of words to accompany her art: in The Pointedness (below), there's a glass ball on display and the words 'This sphere will be a sharp point when it gets to the far corners of the room in your mind.'
Is this bullshit? Or is something really interesting going on? It's for you to decide, but for me, I really like the fact that she uses the viewer's power of imagination to complete the artwork, even if, in real life, you can't really make the statement come true. A sphere will never have a point simply by definition of being a sphere.
The exhibition is free, and Serpentine Gallery is a lovely gallery. Now that Olympic is over, it'll be easier to find the exhibition (the crowd control routes during the Games made the walk really frustrating).
PS: next door is the annual temporary Serpentine Pavilion, and this year, the designer/architect is Ai Weiwei. Quite an interesting structure, but I think I preferred previous versions more.
Friday, 10 August 2012
All is Song & The Still Point
Title: All is Song
For Book #11, I'm going to talk about something classier and more literary. The first time I heard of Samantha Harvey was on the Culture Show in 2011. Five judges (or so) sat there debating about the best debut novelists of the year, and Harvey was one of them.Her first book was The Wilderness, and it was a stunning novel about someone losing their life to Alzheimer's. Actually, this is shocking, but in my memory I mixed up The Wilderness with The Still Point, which is yet another beautiful novel. I also highly recommend that one! In fact, that will be Book #12). So ... it turns out I forgot what Harvey's first book was about. Oops. Anyway, I still remember her as a fantastic writer, and the book was a bittersweet story that felt entirely too real.
Now All is Song is not dissimilar: it is about Leonard and William, two middle-aged brothers, both still grappling with the meaning of life in different ways, but one of them is very much like a modern-day Socrates. William is a frustrating character to like simply because he questions everything around him to the point where you lose sense of the original question. The book is deeply philosophical, and it brings to memory all the things I used to read and learn in philosophy classes. Or in the Matrix: if you can see that the world is lying to you, would you rather live in the lie, or see the real truth? The red pill or the blue pill? Ok, so the book is totally not sci-fi, but it deals with the same issues about how complacent most human beings are with the world, how we just accept statements as facts just because it's what the majority of people thinks, and not because it's the absolute truth.
All is Song is beautifully written. The narrative moves very slowly, but this is not an action-driven story, it's a thought-driven one.
I thought that overall, The Wilderness was better (simply because I like the ending more), but this book is a good second novel. I can't wait to see what else is up Harvey's sleeves.
>>><<<
Title: The Still Point
Author: Amy Sackville
I probably mixed up Harvey with Sackville because they were both first-time novelists. But my review is a bit different for this one ...
Read this book. Yes, read it! The Still Point is an inter-generational story about an arctic explorer who disappears on an exploration and leaves his young wife behind, and a modern-day tale about a slowly-disintegrating marriage. This is not a synopsis that would usually interest me, but it's so achingly and beautifully told that you definitely must read it if you like literary fiction.
I read it one summer for a book club (I think), and in the heat of the summer, I felt the freezing cold depths of winter as described by Amy Sackville when she writes about the explorer stuck in the icy Arctic with no resources and almost no hope. That, I think, is a major sign that the book is amazing, as it gave me feelings and thoughts that I otherwise would not be able to have.
The modern-day story is also equally well-written. You can feel the winter of the two character's marriage too, and the two stories meld together intelligently. Read it to understand what I'm trying to say!
PS: both the books have beautiful covers, don't you agree?
PPS: Blogger's really annoying. I don't understand how 'normal' Arial can sometimes be one font size, and sometimes another. I've tried my best to stick to one font size for all posts, but it seems like it's not always up to me to decide font size! Sorry.
Thursday, 9 August 2012
The Trout & The Red Lion (sister pubs)
Where to eat at a patio: The Trout
Location: Oxford, OX2 8PN
[Took photos of all the food but haven't had time to upload yet ... will upload soon]
I'm going to start with The Trout first, because it has to be the best patio experience I've had (that I can recall) in the UK. Ok, so it rains half the time over here, which isn't conducive to positive outdoor dining experiences, but we lucked out. We originally wanted to drive out to another award-winning pub in the 'heart' of the Cotswolds, but firstly, it was a bit far, and also, their lunch menu wasn't exciting our tastebuds.
I then remembered The Trout. We've already accidentally been to The Perch, which is another pub by Port Meadows (see my review here), and the ambience was lovely on a hot spring afternoon. The Trout, in comparison, stood out even more so. The quaint little pub (well, it's not so little when you saunter in, but it seems a bit small from the outside) sits right next to the river, with a beautiful bridge, plenty of outdoor seats, and a mini waterfall.
The Trout is absolutely beautiful to visit. We originally had a last minute reservation inside the pub, which is nice and cozy enough, but seeing that the sun was out, we decided to risk sitting outside.
Now that I've raved enough about the atmosphere, let's talk about the food. In one word, I'd sum it up by saying: stunning! They're known for their seafood, and I had the most delectable pan-fried scallops of the day as appetizer (with a beautiful roast tomato tapenade & balsamic vinegar), followed by a very very delightful main of linguini with prawns, chorizo, sweet chilli, crab. I frequently order this dish because my friend doesn't like seafood, so I don't get to cook it much, and this is one of the best renditions of the chorizo/prawns/linguini combo I've had ever! (I am in fact going to compare it to The Trout's sister pub version of the same dish later...)
My friend had a perfectly cooked chargrilled asparagus with poached egg (I wasn't allowed to share so you'll have to trust him), and a really lovely spaghetti carbonara. It was extremely rich and creamy, but it wasn't too much so that you can't finish the meal and feel good.
We ended the meal by sharing a white chocolate creme brulee - perfect! The meal was a bit pricy, about 50 quids including alcohol, but we stayed there for a good two and a half hours or more, and wandered around the Wolvercote area a bit (very picturesque!) so it was worth it.
Highly recommended, especially if the weather is sunny, or else, it would probably make for a lovely cozy pub to go to in the deepest of winters.
Unfortunately, The Red Lion pales in comparison to The Trout. I generally enjoy The Red Lion, having been there a few times for drinks, and for an odd meal here and there. The pub is nicely decorated, very nicely lit and with interesting wall decors. The food is quite good, but very shortly after eating at The Trout, I then discovered that they are actually sister pubs, and then eating there ... well, it made it too easy to compare the two.
Location: Oxford, OX2 8PN
[Took photos of all the food but haven't had time to upload yet ... will upload soon]
I'm going to start with The Trout first, because it has to be the best patio experience I've had (that I can recall) in the UK. Ok, so it rains half the time over here, which isn't conducive to positive outdoor dining experiences, but we lucked out. We originally wanted to drive out to another award-winning pub in the 'heart' of the Cotswolds, but firstly, it was a bit far, and also, their lunch menu wasn't exciting our tastebuds.
I then remembered The Trout. We've already accidentally been to The Perch, which is another pub by Port Meadows (see my review here), and the ambience was lovely on a hot spring afternoon. The Trout, in comparison, stood out even more so. The quaint little pub (well, it's not so little when you saunter in, but it seems a bit small from the outside) sits right next to the river, with a beautiful bridge, plenty of outdoor seats, and a mini waterfall.
The Trout is absolutely beautiful to visit. We originally had a last minute reservation inside the pub, which is nice and cozy enough, but seeing that the sun was out, we decided to risk sitting outside.
Now that I've raved enough about the atmosphere, let's talk about the food. In one word, I'd sum it up by saying: stunning! They're known for their seafood, and I had the most delectable pan-fried scallops of the day as appetizer (with a beautiful roast tomato tapenade & balsamic vinegar), followed by a very very delightful main of linguini with prawns, chorizo, sweet chilli, crab. I frequently order this dish because my friend doesn't like seafood, so I don't get to cook it much, and this is one of the best renditions of the chorizo/prawns/linguini combo I've had ever! (I am in fact going to compare it to The Trout's sister pub version of the same dish later...)
My friend had a perfectly cooked chargrilled asparagus with poached egg (I wasn't allowed to share so you'll have to trust him), and a really lovely spaghetti carbonara. It was extremely rich and creamy, but it wasn't too much so that you can't finish the meal and feel good.
We ended the meal by sharing a white chocolate creme brulee - perfect! The meal was a bit pricy, about 50 quids including alcohol, but we stayed there for a good two and a half hours or more, and wandered around the Wolvercote area a bit (very picturesque!) so it was worth it.
Highly recommended, especially if the weather is sunny, or else, it would probably make for a lovely cozy pub to go to in the deepest of winters.
>><<
Location: Central Oxford
Unfortunately, The Red Lion pales in comparison to The Trout. I generally enjoy The Red Lion, having been there a few times for drinks, and for an odd meal here and there. The pub is nicely decorated, very nicely lit and with interesting wall decors. The food is quite good, but very shortly after eating at The Trout, I then discovered that they are actually sister pubs, and then eating there ... well, it made it too easy to compare the two.
I didn't consciously order the same dish, but it turns out I really do like ordering tiger prawns linguini with a bit of spice to it. At The Red Lion, it was decent, but I really loved the Trout's, so this one wasn't as good. It wasn't as sweet, didn't have as good an aftertaste ...
Everyone else liked their dishes though. One bad thing was the service - we had a really talkative waiter who forgot some of our orders. That's fine, but one of us had to leave quite early and we didn't exactly want to dawdle.
The redeemable factor here was their desserts. In fact, just the dessert I ordered. Their chocolate brownie was divine. I really mean this (and this means a lot, given that I have quite a sweet tooth). It was rich and melts in your mouth, drizzled with a lovely dark chocolate sauce and vanilla bean ice cream. Perfect.
So I'd still go to the Red Lion, especially as it's smack in the centre of town so it's easy to get to ... but if you can make a bit of an effort, do go to The Trout instead!
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